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・ Theatre of Death Tour
・ Theatre of Denmark
・ Theatre of Dionysus
・ Theatre of Early Music
・ Theatre of Estonia
・ Theatre of Eternal Music
・ Theatre of Fate
・ Theatre of France
・ Theatre of Greece
・ Theatre of Hate
・ Theatre of Ice
・ Theatre of India
・ Theatre of Japan
・ Theatre of Jersey
・ Theatre of Kosovo
Theatre of Lebanon
・ Theatre of Madness Tour
・ Theatre of Magic
・ Theatre of Marcellus
・ Theatre of María Guerrero
・ Theatre of Meaning
・ Theatre of Nations
・ Theatre of NOTE
・ Theatre of Pain
・ Theatre of Pakistan
・ Theatre of Poland
・ Theatre of Pompey
・ Theatre of Scotland
・ Theatre of Sheep
・ Theatre of Silence


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Theatre of Lebanon : ウィキペディア英語版
Theatre of Lebanon
Theatre in Lebanon has its origin in passion plays. The musical plays of Maroun Naccache from the mid-1800s are considered the birth of modern Arab theatre.〔Stone, Christopher Reed. ''Popular Culture and Nationalism in Lebanon: the Fairouz and Rahbani Nation'', page 50〕 Some scholars like Abdulatif Shararah divided theatre in Lebanon into three phases: translations of European plays, Arab nationalism, and realism.〔Badawī, Muḥammad Muṣṭafá. ''Modern Arabic Literature''〕
==Passion Plays==
The dramatic presentation of the Passion of Jesus Christ was a traditional practice during Lent among the Christian communities in Lebanon. Additionally, passion plays, depicting the events of Karbala, were also common among the Shia of Lebanon.〔Abisaab, Rula Jurdi. ''Depicting Relations: Iran and Lebanon in the Last 500 Years'', page 11〕 Passion plays, whether Christian or Shia, were events centered around village life. In villages, it was not uncommon for Christians to participate in minor roles in Shia passion plays and vice versa.〔Johnson, Michael. ''All Honorable Men: The Social Origins of War in Lebanon'', page〕

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